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Coupon Code: Shop What's New in toys, games, movies, action figures, video games and more at Toysrus.com!
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Logitech Z-5500 THX Certified Speaker System - $299.99
Experience music, TV, movies and games through this THX-certified, 505-watt 5.1 digital surround sound speaker system with digital equalization.

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Logitech Z-5500 THX Certified Speaker System - $299.99  Experience music, TV, movies and games through this THX-certified, 505-watt 5.1 digital surround sound speaker system with digital equalization. N/A Bookmark and Share
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On “Up in the Air,” empathy, detachment and corporate layoffs

clooney-up-in-the-air

Our recent blog post about “Up in the Air” inspired Mackenzie Carpenter of the Pittsburgh Post-Gazette to call us for a story she was writing about the movie and its portrayal of corporate layoffs.

Here are a few excerpts from Mackenzie’s piece, which appeared in Sunday’s paper:

Just how accurate a portrayal of your friendly corporate terminator is “Up in the Air” anyway?

Not very, say those who actually do it for a living.

“A lot of human resources people were excited when we found out that George Clooney was going to be playing one of us, and the movie is very good — but it doesn’t reflect HR consulting as I know it,” said Sanjay Sathe, founder and CEO of RiseSmart, a Silicon Valley-based outplacement firm, which provides job-search help and career coaching to laid-off employees.

“People who are laid off don’t want a generic pep talk from someone they don’t know. I can’t imagine that tactic being as effective in real life as it’s portrayed in the movie.”…

[T]he film’s premise that people doing the firing are emotionally detached is not true, argued Mr. Sathe.

“People go into human resources, as opposed to, say, finance or accounting, because they enjoy working with people, they genuinely like people and empathize with them … my experience is that layoffs are usually very difficult emotionally on HR people.”

Still, as the economy limps along, will employees be seeing more strangers — handsome or not — come to bid them so long and have fun with that gourmet cooking gig?

Despite recent growth in the outsourced human resources industry, most companies will continue to handle firings themselves — with consultants brought in to help plan the layoffs or, like his company, to help them find new jobs, Mr. Sathe said. And there’s one small detail in the film that cuts a little too close for comfort, he added.

“I wish Clooney’s character were not called a transition consultant in the film because we call our employees transition specialists.”

Just as Mr. Clooney delivers inspirational speeches to those he’s just fired, “We also give pep talks — not about building empires, but about how marketable they are based on a review of their backgrounds,” Mr. Sathe said.

“We might say, ‘Hey, have you considered applying for a job in the health care sector? Because your experience is great and would transfer very well to that industry.’ But I guess that kind of pep talk would not sell many movie tickets, would it?”

To follow up just a bit on the topic of empathy vs. detachment, I’ve recently read critiques of “Up in the Air” that argue that it’s not so much Clooney’s character, but the movie itself, that is detached and glib in dealing with corporate layoffs.

As Salon’s critic puts its:

What [director Jason] Reitman doesn’t seem to get is that [the film's] real-world testimonies are only a half-twist away from the slickster line of goods — “Losing your job is the best thing for you. Really!” — that Ryan’s character specializes in.

When Ryan is spouting these prefab pearls of wisdom, they’re treacherous falsehoods; when real people use them to make the best of a bad situation, they’re enlightenment. Reitman can’t even see the condescension in that.

By putting these faces in front of us — faces of people who have, most likely, suffered through some pretty rough times in real life — he isn’t making a grand statement about the precarious world we live in; he’s turning the misfortunes of others into a gimmick, a convenient hook on which to hang his movie.

That makes him less honorable than his smooth-talking, high-flying antihero. At least Ryan Bingham knows he’s selling us a line of bull.

Personally, I liked the film. But I suppose you could argue that if Reitman really gave a hoot about the fate of those laid off, he would have attempted to make a film like Time Out, which explores the pain of an executive who loses his job (but can’t bring himself to tell his family) in excruciating detail.

At the very least, I’d put the empathy of HR folks up against that of Hollywood types any day of the week.


On “Up in the Air,” empathy, detachment and corporate layoffs 
Our recent blog post about “Up in the Air” inspired Mackenzie Carpenter of the Pittsburgh Post-Gazette to call us for a story she was writing about the movie and its portrayal of corporate layoffs.
Here are a few excerpts from Mackenzie’s piece, which appeared in Sunday’s paper:
Just how accurate a portrayal of your friendly corporate terminator is “Up in the Air” anyway?
Not very, say those who actually do it for a living.
“A lot of human resources people were excited when we found out that George Clooney was going to be playing one of us, and the movie is very good — but it doesn’t reflect HR consulting as I know it,” said Sanjay Sathe, founder and CEO of RiseSmart, a Silicon Valley-based outplacement firm, which provides job-search help and career coaching to laid-off employees.
“People who are laid off don’t want a generic pep talk from someone they don’t know. I can’t imagine that tactic being as effective in real life as it’s portrayed in the movie.”…
[T]he film’s premise that people doing the firing are emotionally detached is not true, argued Mr. Sathe.
“People go into human resources, as opposed to, say, finance or accounting, because they enjoy working with people, they genuinely like people and empathize with them … my experience is that layoffs are usually very difficult emotionally on HR people.”
Still, as the economy limps along, will employees be seeing more strangers — handsome or not — come to bid them so long and have fun with that gourmet cooking gig?
Despite recent growth in the outsourced human resources industry, most companies will continue to handle firings themselves — with consultants brought in to help plan the layoffs or, like his company, to help them find new jobs, Mr. Sathe said. And there’s one small detail in the film that cuts a little too close for comfort, he added.
“I wish Clooney’s character were not called a transition consultant in the film because we call our employees transition specialists.”
Just as Mr. Clooney delivers inspirational speeches to those he’s just fired, “We also give pep talks — not about building empires, but about how marketable they are based on a review of their backgrounds,” Mr. Sathe said.
“We might say, ‘Hey, have you considered applying for a job in the health care sector? Because your experience is great and would transfer very well to that industry.’ But I guess that kind of pep talk would not sell many movie tickets, would it?”
 
To follow up just a bit on the topic of empathy vs. detachment, I’ve recently read critiques of “Up in the Air” that argue that it’s not so much Clooney’s character, but the movie itself, that is detached and glib in dealing with corporate layoffs.  
As Salon’s critic puts its:
What [director Jason] Reitman doesn’t seem to get is that [the film's] real-world testimonies are only a half-twist away from the slickster line of goods — “Losing your job is the best thing for you. Really!” — that Ryan’s character specializes in. 
When Ryan is spouting these prefab pearls of wisdom, they’re treacherous falsehoods; when real people use them to make the best of a bad situation, they’re enlightenment. Reitman can’t even see the condescension in that. 
By putting these faces in front of us — faces of people who have, most likely, suffered through some pretty rough times in real life — he isn’t making a grand statement about the precarious world we live in; he’s turning the misfortunes of others into a gimmick, a convenient hook on which to hang his movie. 
That makes him less honorable than his smooth-talking, high-flying antihero. At least Ryan Bingham knows he’s selling us a line of bull.
Personally, I liked the film.  But I suppose you could argue that if Reitman really gave a hoot about the fate of those laid off, he would have attempted to make a film like Time Out, which explores the pain of an executive who loses his job (but can’t bring himself to tell his family) in excruciating detail.  
At the very least, I’d put the empathy of HR folks up against that of Hollywood types any day of the week.
Coupon Code: On “Up in the Air,” empathy, detachment and corporate layoffs 
Our recent blog post about “Up in the Air” inspired Mackenzie Carpenter of the Pittsburgh Post-Gazette to call us for a story she was writing about the movie and its portrayal of corporate layoffs.
Here are a few excerpts from Mackenzie’s piece, which appeared in Sunday’s paper:
Just how accurate a portrayal of your friendly corporate terminator is “Up in the Air” anyway?
Not very, say those who actually do it for a living.
“A lot of human resources people were excited when we found out that George Clooney was going to be playing one of us, and the movie is very good — but it doesn’t reflect HR consulting as I know it,” said Sanjay Sathe, founder and CEO of RiseSmart, a Silicon Valley-based outplacement firm, which provides job-search help and career coaching to laid-off employees.
“People who are laid off don’t want a generic pep talk from someone they don’t know. I can’t imagine that tactic being as effective in real life as it’s portrayed in the movie.”…
[T]he film’s premise that people doing the firing are emotionally detached is not true, argued Mr. Sathe.
“People go into human resources, as opposed to, say, finance or accounting, because they enjoy working with people, they genuinely like people and empathize with them … my experience is that layoffs are usually very difficult emotionally on HR people.”
Still, as the economy limps along, will employees be seeing more strangers — handsome or not — come to bid them so long and have fun with that gourmet cooking gig?
Despite recent growth in the outsourced human resources industry, most companies will continue to handle firings themselves — with consultants brought in to help plan the layoffs or, like his company, to help them find new jobs, Mr. Sathe said. And there’s one small detail in the film that cuts a little too close for comfort, he added.
“I wish Clooney’s character were not called a transition consultant in the film because we call our employees transition specialists.”
Just as Mr. Clooney delivers inspirational speeches to those he’s just fired, “We also give pep talks — not about building empires, but about how marketable they are based on a review of their backgrounds,” Mr. Sathe said.
“We might say, ‘Hey, have you considered applying for a job in the health care sector? Because your experience is great and would transfer very well to that industry.’ But I guess that kind of pep talk would not sell many movie tickets, would it?”
 
To follow up just a bit on the topic of empathy vs. detachment, I’ve recently read critiques of “Up in the Air” that argue that it’s not so much Clooney’s character, but the movie itself, that is detached and glib in dealing with corporate layoffs.  
As Salon’s critic puts its:
What [director Jason] Reitman doesn’t seem to get is that [the film's] real-world testimonies are only a half-twist away from the slickster line of goods — “Losing your job is the best thing for you. Really!” — that Ryan’s character specializes in. 
When Ryan is spouting these prefab pearls of wisdom, they’re treacherous falsehoods; when real people use them to make the best of a bad situation, they’re enlightenment. Reitman can’t even see the condescension in that. 
By putting these faces in front of us — faces of people who have, most likely, suffered through some pretty rough times in real life — he isn’t making a grand statement about the precarious world we live in; he’s turning the misfortunes of others into a gimmick, a convenient hook on which to hang his movie. 
That makes him less honorable than his smooth-talking, high-flying antihero. At least Ryan Bingham knows he’s selling us a line of bull.
Personally, I liked the film.  But I suppose you could argue that if Reitman really gave a hoot about the fate of those laid off, he would have attempted to make a film like Time Out, which explores the pain of an executive who loses his job (but can’t bring himself to tell his family) in excruciating detail.  
At the very least, I’d put the empathy of HR folks up against that of Hollywood types any day of the week.
On “Up in the Air,” empathy, detachment and corporate layoffs 
Our recent blog post about “Up in the Air” inspired Mackenzie Carpenter of the Pittsburgh Post-Gazette to call us for a story she was writing about the movie and its portrayal of corporate layoffs.
Here are a few excerpts from Mackenzie’s piece, which appeared in Sunday’s paper:
Just how accurate a portrayal of your friendly corporate terminator is “Up in the Air” anyway?
Not very, say those who actually do it for a living.
“A lot of human resources people were excited when we found out that George Clooney was going to be playing one of us, and the movie is very good — but it doesn’t reflect HR consulting as I know it,” said Sanjay Sathe, founder and CEO of RiseSmart, a Silicon Valley-based outplacement firm, which provides job-search help and career coaching to laid-off employees.
“People who are laid off don’t want a generic pep talk from someone they don’t know. I can’t imagine that tactic being as effective in real life as it’s portrayed in the movie.”…
[T]he film’s premise that people doing the firing are emotionally detached is not true, argued Mr. Sathe.
“People go into human resources, as opposed to, say, finance or accounting, because they enjoy working with people, they genuinely like people and empathize with them … my experience is that layoffs are usually very difficult emotionally on HR people.”
Still, as the economy limps along, will employees be seeing more strangers — handsome or not — come to bid them so long and have fun with that gourmet cooking gig?
Despite recent growth in the outsourced human resources industry, most companies will continue to handle firings themselves — with consultants brought in to help plan the layoffs or, like his company, to help them find new jobs, Mr. Sathe said. And there’s one small detail in the film that cuts a little too close for comfort, he added.
“I wish Clooney’s character were not called a transition consultant in the film because we call our employees transition specialists.”
Just as Mr. Clooney delivers inspirational speeches to those he’s just fired, “We also give pep talks — not about building empires, but about how marketable they are based on a review of their backgrounds,” Mr. Sathe said.
“We might say, ‘Hey, have you considered applying for a job in the health care sector? Because your experience is great and would transfer very well to that industry.’ But I guess that kind of pep talk would not sell many movie tickets, would it?”
 
To follow up just a bit on the topic of empathy vs. detachment, I’ve recently read critiques of “Up in the Air” that argue that it’s not so much Clooney’s character, but the movie itself, that is detached and glib in dealing with corporate layoffs.  
As Salon’s critic puts its:
What [director Jason] Reitman doesn’t seem to get is that [the film's] real-world testimonies are only a half-twist away from the slickster line of goods — “Losing your job is the best thing for you. Really!” — that Ryan’s character specializes in. 
When Ryan is spouting these prefab pearls of wisdom, they’re treacherous falsehoods; when real people use them to make the best of a bad situation, they’re enlightenment. Reitman can’t even see the condescension in that. 
By putting these faces in front of us — faces of people who have, most likely, suffered through some pretty rough times in real life — he isn’t making a grand statement about the precarious world we live in; he’s turning the misfortunes of others into a gimmick, a convenient hook on which to hang his movie. 
That makes him less honorable than his smooth-talking, high-flying antihero. At least Ryan Bingham knows he’s selling us a line of bull.
Personally, I liked the film.  But I suppose you could argue that if Reitman really gave a hoot about the fate of those laid off, he would have attempted to make a film like Time Out, which explores the pain of an executive who loses his job (but can’t bring himself to tell his family) in excruciating detail.  
At the very least, I’d put the empathy of HR folks up against that of Hollywood types any day of the week. N/A Bookmark and Share
N/A
 
risesmart.com Store coupons
risesmart.com Coupon Codes, risesmart.com Discount Codes
RiseSmart on “Up in the Air” in Wall Street Journal

up-in-the-air-outplacement

I don’t generally think of myself as a movie reviewer, but my critique of “Up in the Air” — written, of course, from my perspective as the CEO of an outplacement firm — has gotten some attention, first in the Pittsburgh Post-Gazette and then in the online Wall Street Journal.

Wrote the Journal’s Josh Beckerman of our press release on the movie (which this week was nominated for the Academy Award for Best Picture):

Best of all is RiseSmart’s debunking of the theory that “laid-off workers can be mollified with generic pep talks.” The company invokes Clooney’s line that “anyone who ever built an empire or changed the world sat where you are sitting, and it’s because they sat there that they were able to do it.”

RiseSmart says “the thought that this kind of condescending pep talk would ‘work’ on people is insulting to those who have actually had to go through this experience.” Right on. The downsizing victims in the movie are too easily impressed - the cynical J.K. Simmons character is rapidly persuaded about the merits of opening a restaurant during the credit crunch, and there’s a queasy suggestion that layoffs are okay because you get to spend more time with your family.

Since Hollywood doesn’t make many movies about HR consultants, my 15 minutes of fame as a film critic is probably over. So Roger Ebert, don’t quit your day job.

But I would like to add one more point about the movie, which I’ve come to upon reflection. The unflattering treatment of HR consultants in “Up in the Air” might normally be dismissed as standard Hollywood storytelling. But the movie’s popularity and Oscar nod suggest it has struck a chord of authenticity with audiences.

Why so? I think it’s at least partly because hundreds of thousands, if not millions, of workers who have been laid-off in recent years have been less than pleased with the quality — and the results — of the help they have received from traditional outplacement firms. It’s the real story of old-school outplacement, which the Wall Street Journal told a few months back.

So ironically, for all its inaccuracies, “Up in the Air” points to the reason I started RiseSmart Transition Concierge in the first place — to make outplacement services more accountable to both displaced workers and their employers, by getting employees back to work sooner.


RiseSmart on “Up in the Air” in Wall Street Journal 
I don’t generally think of myself as a movie reviewer, but my critique of “Up in the Air” — written, of course, from my perspective as the CEO of an outplacement firm — has gotten some attention, first in the Pittsburgh Post-Gazette and then in the online Wall Street Journal.
Wrote the Journal’s Josh Beckerman of our press release on the movie (which this week was nominated for the Academy Award for Best Picture):
Best of all is RiseSmart’s debunking of the theory that “laid-off workers can be mollified with generic pep talks.” The company invokes Clooney’s line that “anyone who ever built an empire or changed the world sat where you are sitting, and it’s because they sat there that they were able to do it.”
RiseSmart says “the thought that this kind of condescending pep talk would ‘work’ on people is insulting to those who have actually had to go through this experience.” Right on. The downsizing victims in the movie are too easily impressed - the cynical J.K. Simmons character is rapidly persuaded about the merits of opening a restaurant during the credit crunch, and there’s a queasy suggestion that layoffs are okay because you get to spend more time with your family.
Since Hollywood doesn’t make many movies about HR consultants, my 15 minutes of fame as a film critic is probably over.  So Roger Ebert, don’t quit your day job.
But I would like to add one more point about the movie, which I’ve come to upon reflection. The unflattering treatment of HR consultants in “Up in the Air” might normally be dismissed as standard Hollywood storytelling. But the movie’s popularity and Oscar nod suggest it has struck a chord of authenticity with audiences.  
Why so?  I think it’s at least partly because hundreds of thousands, if not millions, of workers who have been laid-off in recent years have been less than pleased with the quality — and the results — of the help they have received from traditional outplacement firms. It’s the real story of old-school outplacement, which the Wall Street Journal told a few months back.
So ironically, for all its inaccuracies,  “Up in the Air” points to the reason I started RiseSmart Transition Concierge in the first place — to make outplacement services more accountable to both displaced workers and their employers, by getting employees back to work sooner.
Coupon Code: RiseSmart on “Up in the Air” in Wall Street Journal 
I don’t generally think of myself as a movie reviewer, but my critique of “Up in the Air” — written, of course, from my perspective as the CEO of an outplacement firm — has gotten some attention, first in the Pittsburgh Post-Gazette and then in the online Wall Street Journal.
Wrote the Journal’s Josh Beckerman of our press release on the movie (which this week was nominated for the Academy Award for Best Picture):
Best of all is RiseSmart’s debunking of the theory that “laid-off workers can be mollified with generic pep talks.” The company invokes Clooney’s line that “anyone who ever built an empire or changed the world sat where you are sitting, and it’s because they sat there that they were able to do it.”
RiseSmart says “the thought that this kind of condescending pep talk would ‘work’ on people is insulting to those who have actually had to go through this experience.” Right on. The downsizing victims in the movie are too easily impressed - the cynical J.K. Simmons character is rapidly persuaded about the merits of opening a restaurant during the credit crunch, and there’s a queasy suggestion that layoffs are okay because you get to spend more time with your family.
Since Hollywood doesn’t make many movies about HR consultants, my 15 minutes of fame as a film critic is probably over.  So Roger Ebert, don’t quit your day job.
But I would like to add one more point about the movie, which I’ve come to upon reflection. The unflattering treatment of HR consultants in “Up in the Air” might normally be dismissed as standard Hollywood storytelling. But the movie’s popularity and Oscar nod suggest it has struck a chord of authenticity with audiences.  
Why so?  I think it’s at least partly because hundreds of thousands, if not millions, of workers who have been laid-off in recent years have been less than pleased with the quality — and the results — of the help they have received from traditional outplacement firms. It’s the real story of old-school outplacement, which the Wall Street Journal told a few months back.
So ironically, for all its inaccuracies,  “Up in the Air” points to the reason I started RiseSmart Transition Concierge in the first place — to make outplacement services more accountable to both displaced workers and their employers, by getting employees back to work sooner.
RiseSmart on “Up in the Air” in Wall Street Journal 
I don’t generally think of myself as a movie reviewer, but my critique of “Up in the Air” — written, of course, from my perspective as the CEO of an outplacement firm — has gotten some attention, first in the Pittsburgh Post-Gazette and then in the online Wall Street Journal.
Wrote the Journal’s Josh Beckerman of our press release on the movie (which this week was nominated for the Academy Award for Best Picture):
Best of all is RiseSmart’s debunking of the theory that “laid-off workers can be mollified with generic pep talks.” The company invokes Clooney’s line that “anyone who ever built an empire or changed the world sat where you are sitting, and it’s because they sat there that they were able to do it.”
RiseSmart says “the thought that this kind of condescending pep talk would ‘work’ on people is insulting to those who have actually had to go through this experience.” Right on. The downsizing victims in the movie are too easily impressed - the cynical J.K. Simmons character is rapidly persuaded about the merits of opening a restaurant during the credit crunch, and there’s a queasy suggestion that layoffs are okay because you get to spend more time with your family.
Since Hollywood doesn’t make many movies about HR consultants, my 15 minutes of fame as a film critic is probably over.  So Roger Ebert, don’t quit your day job.
But I would like to add one more point about the movie, which I’ve come to upon reflection. The unflattering treatment of HR consultants in “Up in the Air” might normally be dismissed as standard Hollywood storytelling. But the movie’s popularity and Oscar nod suggest it has struck a chord of authenticity with audiences.  
Why so?  I think it’s at least partly because hundreds of thousands, if not millions, of workers who have been laid-off in recent years have been less than pleased with the quality — and the results — of the help they have received from traditional outplacement firms. It’s the real story of old-school outplacement, which the Wall Street Journal told a few months back.
So ironically, for all its inaccuracies,  “Up in the Air” points to the reason I started RiseSmart Transition Concierge in the first place — to make outplacement services more accountable to both displaced workers and their employers, by getting employees back to work sooner. N/A Bookmark and Share
N/A
 
1000Bulbs.com Store coupons
1000Bulbs.com Coupon Codes, 1000Bulbs.com Discount Codes
12-Foot Inflatable Home Theater Designed for Watching Movies, TV & Sports in the Backyard

Product Title (In box)

Outdoor Home Theater Kit features a full-sized, 12 foot inflatable screen and a pair of outdoor amplified speakers. Perfect for watching a movie or the big game.

Screen Description:
12Hx11.5W’ Screen ; with 144″ Image Area
Compatible with all types of projectors
Hi-Definition, bright white vinyl material
Dual-use front and rear projection capable
Vinyl blackout screen included (8’ or 12’)
Durable, adjustable hook & loop straps for screen support
Optional black screen lacing included
Black Trimmed screen for a true cinema style picture
Rust-free plastic grommets for durability

Inflatable Frame Descriptions:
Commercial grade mesh reinforced PVC
Ultra-sonic welded seams
Infl ates in under 5 minutes with included pump
Plastic ground sheet included (0.1mm clear PVC)
Dual self-sealing air valves allow for quick defl ation
Repair kit included

  • 144 inch Screen
  • 1 pair of 120W amplified speakers with 8″ woofers
  • Pump, Volume control, Audio cables, Stability tie downs, Ground stakes, Ground cloth, Screen repair kit, Nylon carry bag
  • Compatible with all Projectors (not included)
  • Durable Frame and Screen Material
  • Price: $939.10
  • Read more

    Also Available
    Sima Products SXL-8 8′ Inflatable Screen


    12-Foot Inflatable Home Theater Designed for Watching Movies, TV & Sports in the Backyard 
Outdoor Home Theater Kit features a full-sized, 12 foot inflatable screen and a pair of outdoor amplified speakers. Perfect for watching a movie or the big game.
Screen Description:
12Hx11.5W’ Screen ; with 144″ Image Area
Compatible with all types of projectors
Hi-Definition, bright white vinyl material
Dual-use front and rear projection capable
Vinyl blackout screen included (8’ or 12’)
Durable, adjustable hook & loop straps for screen support
Optional black screen lacing included
Black Trimmed screen for a true cinema style picture
Rust-free plastic grommets for durability
Inflatable Frame Descriptions:
Commercial grade mesh reinforced PVC
Ultra-sonic welded seams
Infl ates in under 5 minutes with included pump
Plastic ground sheet included (0.1mm clear PVC)
Dual self-sealing air valves allow for quick defl ation
Repair kit included
 144 inch Screen 
 1 pair of 120W amplified speakers with 8″ woofers 
 Pump, Volume control, Audio cables, Stability tie downs, Ground stakes, Ground cloth, Screen repair kit, Nylon carry bag 
 Compatible with all Projectors (not included) 
 Durable Frame and Screen Material 
 Price: $939.10
 Read more
 Also Available
 Sima Products SXL-8 8′ Inflatable Screen
    Coupon Code: 12-Foot Inflatable Home Theater Designed for Watching Movies, TV & Sports in the Backyard 
Outdoor Home Theater Kit features a full-sized, 12 foot inflatable screen and a pair of outdoor amplified speakers. Perfect for watching a movie or the big game.
Screen Description:
12Hx11.5W’ Screen ; with 144″ Image Area
Compatible with all types of projectors
Hi-Definition, bright white vinyl material
Dual-use front and rear projection capable
Vinyl blackout screen included (8’ or 12’)
Durable, adjustable hook & loop straps for screen support
Optional black screen lacing included
Black Trimmed screen for a true cinema style picture
Rust-free plastic grommets for durability
Inflatable Frame Descriptions:
Commercial grade mesh reinforced PVC
Ultra-sonic welded seams
Infl ates in under 5 minutes with included pump
Plastic ground sheet included (0.1mm clear PVC)
Dual self-sealing air valves allow for quick defl ation
Repair kit included
 144 inch Screen 
 1 pair of 120W amplified speakers with 8″ woofers 
 Pump, Volume control, Audio cables, Stability tie downs, Ground stakes, Ground cloth, Screen repair kit, Nylon carry bag 
 Compatible with all Projectors (not included) 
 Durable Frame and Screen Material 
 Price: $939.10
 Read more
 Also Available
 Sima Products SXL-8 8′ Inflatable Screen
    12-Foot Inflatable Home Theater Designed for Watching Movies, TV & Sports in the Backyard 
Outdoor Home Theater Kit features a full-sized, 12 foot inflatable screen and a pair of outdoor amplified speakers. Perfect for watching a movie or the big game.
Screen Description:
12Hx11.5W’ Screen ; with 144″ Image Area
Compatible with all types of projectors
Hi-Definition, bright white vinyl material
Dual-use front and rear projection capable
Vinyl blackout screen included (8’ or 12’)
Durable, adjustable hook & loop straps for screen support
Optional black screen lacing included
Black Trimmed screen for a true cinema style picture
Rust-free plastic grommets for durability
Inflatable Frame Descriptions:
Commercial grade mesh reinforced PVC
Ultra-sonic welded seams
Infl ates in under 5 minutes with included pump
Plastic ground sheet included (0.1mm clear PVC)
Dual self-sealing air valves allow for quick defl ation
Repair kit included
 144 inch Screen 
 1 pair of 120W amplified speakers with 8″ woofers 
 Pump, Volume control, Audio cables, Stability tie downs, Ground stakes, Ground cloth, Screen repair kit, Nylon carry bag 
 Compatible with all Projectors (not included) 
 Durable Frame and Screen Material 
 Price: $939.10
 Read more
 Also Available
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    Roxio Authorized Affiliate - DVDit Pro HD product offer

    DVDit® Pro HD

    DVDit® Pro HD is a professional, studio-caliber DVD and Blu-ray Disc authoring tool for videographers, independent filmakers, corporate users and video enthusiasts.

    • Author once and output to Blu-ray and DVD
    • Deliver 1080p. 1080i or 720p movies on Blu-ray Discs
    • Design interactive menus at full HD resolution
    • Drag and Drop HD Slideshows
    • Up to 8 uncompressed audio & 32 subtitle tracks
    • Professional mastering features for DVD and Blu-ray

    Overview | Features | Watch the Flash Demo | System Requirements

    DVDit® Pro HD
    List Price: $599.99
    Your Price: $499.99

    Buy Download

    Overview

     

    HD Menu Creation

    HD Menu Creation
    Create HD menus in Photoshop, build your menus from scratch with the built in HD Menu Compositor or modify pre-built, professionally designed HD Menu Templates

    Flexible Hybrid User Interface

    Flexible Hybrid User Interface
    Professional, intuitive authoring interface lets you easily create a project with multiple audio and subtitle tracks and output both DVD and Blu-ray discs.

    Unparalleled HDTV Support

    Unparalleled HDTV Support
    Create 1080p, 1080i or 720p Blu-ray Discs for playback on today's HDTVs

    Professional Mastering

    Professional Mastering
    Write your project to DLT or CMF and add CSS and AACS content protection for replication.

    Back to the top

    Features

     

    Fast Learning Curve - create DVD or Blu-ray discs in minutes!
    Hybrid Application - create SD DVDs and HD Blu-ray discs from the same project
    Create mixed aspect ratio, resolution (SD and HD) and frame rate Blu-ray Discs
    VBR HD MPEG-2 Transcoding at up to 40,000kbs for Blu-ray projects
    Minimum and Maximum Bit-rate Controls for DVD and Blu-ray Disc
    LPCM audio includes superior-quality PCM on Blu-ray discs
    Consumer Dolby Digital* Stereo Encoding at up to 640kbs for Blu-ray
    Blu-ray Disc bit budget estimator

     

    Back to the top

     

     

     

     


    





Roxio Authorized Affiliate - DVDit Pro HD product offer








 


  
    
      
      DVDit® Pro HD

          DVDit® Pro HD is a professional, studio-caliber DVD and Blu-ray Disc authoring tool for videographers, independent filmakers, corporate users and video enthusiasts.
        
            Author once and output to Blu-ray and DVD 
          Deliver 1080p. 1080i or 720p movies on Blu-ray Discs
          Design interactive menus at full HD resolution
          Drag and Drop HD Slideshows

          Up to 8 uncompressed audio & 32 subtitle tracks 
          Professional mastering features for DVD and Blu-ray 
        
        Overview | Features | Watch the Flash Demo | System Requirements 

        DVDit® Pro HD
          List Price: $599.99
          Your Price: $499.99
        Buy Download
    

  
  
Overview
 



HD Menu Creation
Create HD menus in Photoshop, build your menus from scratch with the built in HD Menu Compositor or modify pre-built, professionally designed HD Menu Templates 





Flexible Hybrid User Interface
Professional, intuitive authoring interface lets you easily create a project with multiple audio and subtitle tracks and output both DVD and Blu-ray discs.





Unparalleled HDTV Support
Create 1080p, 1080i or 720p Blu-ray Discs for playback on today's HDTVs





Professional Mastering
Write your project to DLT or CMF and add CSS and AACS content protection for replication.



Back to the top


Features
 


General



Fast Learning Curve - create DVD or Blu-ray discs in minutes!


Hybrid Application - create SD DVDs and HD Blu-ray discs from the same project



Create mixed aspect ratio, resolution (SD and HD) and frame rate Blu-ray Discs


VBR HD MPEG-2 Transcoding at up to 40,000kbs for Blu-ray projects


Minimum and Maximum Bit-rate Controls for DVD and Blu-ray Disc



LPCM audio includes superior-quality PCM on Blu-ray discs


Consumer Dolby Digital* Stereo Encoding at up to 640kbs for Blu-ray


Blu-ray Disc bit budget estimator 






Menu Editing


  
    Robust HD Menu Compositor tools
  
  

    Flexible Per-Menu Authoring for DVD and Blu-ray
  
  
    Create 1080p, 1080i or 720p still or motion menus for Blu-ray projects
  
  
    Professionally designed drag-and-drop 1920x1080 HD Menu Templates

  
  
    Import HD sized Photoshop menus
  
  
    Set stream button functionality for DVD and Blu-ray discs
  




Professional Timeline


  
    Import 1080p, 1080i and 720p video at any Blu-ray legal resolution and frame rate
  
  
    Custom GOP creation for frame accurate chapters on DVDs and Blu-ray Discs 

  
  
    3:2 progressive scan pulldown support 
  
  
    Add up to 8 audio tracks to your DVD and Blu-ray discs
  
  

    Add up to 32 subtitle tracks to your DVD and Blu-ray discs 
  
  
    Flexible chapter editing
  
  
    Audio track offset 

  
  
    Subtitle track offset
  



Slideshow


    Create 1080p, 1080i and 720p HD slideshows at any Blu-ray legal frame rate  

  
  
    Add up to 999 images to each DVD or Blu-ray Disc slideshow 
  
  
    Create multi-song soundtracks
  
  

    Choose from 65 slide transitions
  



Playlist


  
    Create playlists from movies for DVD and Blu-ray

  
  
    Create playlists from slideshows for DVD and Blu-ray
  
  
    Set start chapter for playlist items (movies) for DVD and Blu-ray 
  
  

    Set start picture for playlist items (slideshows) for DVD and Blu-ray
  
  
    Set Streams for Playlist Items for DVD and Blu-ray  
  




Navigation Controls



  
    Easily manage end-actions and alternate end actions for DVD and Blu-ray
  
  
    Set audio, subtitle and highlights from buttons or end actions for DVD and Blu-ray
  
  

    Control remote buttons for DVD and Blu-ray
  



Simulation Tools


  
    Simulate all facets of DVD and Blu-ray projects in full screen

  
  
    Simulate from First Play or Current position in project
  
  
    Simulate in 4:3 letterbox or 16:9 widescreen
  
  
    Jump to end action 

  




File Support


  
    Video: AVI, DV-AVI, DiVX-AVI, DVR-MS, MPEG-1, MPEG-2, MPEG-4, MOV, WMV 

  
  
    Audio: MP3, AIFF, MPEG-1 Layer 2, WAV, WMA 
  
  
    Dolby Digital (AC-3): Stereo Dolby Digital (AC-3), Multichannel Dolby Digital (AC-3) Passthrough 
  
  

    Images: BMP, GIF, JPEG, PNG, PSD (flat), PSD (two-layer), TGA, TIFF 
  




Output Tools


  

    Volume, Disc and Image creation for DVD and Blu-ray Disc
  
  
    Write to DLT for DVD replication
  
  
    Write to CMF for Blu-ray Disc replication   
  
  

    Add CSS and Macrovision content protection to DVDs 
  
  
    Add AACS content protection to Blu-ray Discs 
  
  
    Region coding
  
  

    DVD-ROM/Hybrid disc creation
  





System Requirements

Software:

Microsoft Windows XP (Home, Professional or Media Center Edition)

Microsoft Direct X 9.0c
Microsoft Windows Media Player 10 or later
QuickTime 6.5.1 or later recommended


Hardware:

800 MHz Pentium® III (Pentium 4 3GHz recommended for Blu-ray Disc projects) )
Monitor supporting 16-bit color at 1024 x 768 minimum screen area (32-bit color and larger screen area recommended)

128 MB RAM (512 MB required for Blu-ray Disc projects)
Color video display adapter with at least 16MB VRAM (64MB recommended)
Monitor supporting 16-bit color at 1024 x 768 minimum screen area (32-bit color and larger screen area recommended)
10 GB of available hard drive space (75 GB recommended for Blu-ray Disc projects)
Windows-compatible sound card
Windows-compatible DVD-R(W), DVD+R(W) or BD-R(RE) drive
DVD-R(W), DVD+R(W), DVD-RAM or BD-R(RE) recordable media


Use Windows Update to ensure you have the latest Service Packs and fixes for your operating system, and to get the latest versions of Windows Media Player, DirectX, and Internet Explorer.

An Internet connection is required for one-time product activation, registration, and product updates. Product activation is fast, free and anonymous. Any Internet charges are the user's responsibility.




 
Back to the top
 
 
 
 
    Coupon Code: 





Roxio Authorized Affiliate - DVDit Pro HD product offer








 


  
    
      
      DVDit® Pro HD

          DVDit® Pro HD is a professional, studio-caliber DVD and Blu-ray Disc authoring tool for videographers, independent filmakers, corporate users and video enthusiasts.
        
            Author once and output to Blu-ray and DVD 
          Deliver 1080p. 1080i or 720p movies on Blu-ray Discs
          Design interactive menus at full HD resolution
          Drag and Drop HD Slideshows

          Up to 8 uncompressed audio & 32 subtitle tracks 
          Professional mastering features for DVD and Blu-ray 
        
        Overview | Features | Watch the Flash Demo | System Requirements 

        DVDit® Pro HD
          List Price: $599.99
          Your Price: $499.99
        Buy Download
    

  
  
Overview
 



HD Menu Creation
Create HD menus in Photoshop, build your menus from scratch with the built in HD Menu Compositor or modify pre-built, professionally designed HD Menu Templates 





Flexible Hybrid User Interface
Professional, intuitive authoring interface lets you easily create a project with multiple audio and subtitle tracks and output both DVD and Blu-ray discs.





Unparalleled HDTV Support
Create 1080p, 1080i or 720p Blu-ray Discs for playback on today's HDTVs





Professional Mastering
Write your project to DLT or CMF and add CSS and AACS content protection for replication.



Back to the top


Features
 


General



Fast Learning Curve - create DVD or Blu-ray discs in minutes!


Hybrid Application - create SD DVDs and HD Blu-ray discs from the same project



Create mixed aspect ratio, resolution (SD and HD) and frame rate Blu-ray Discs


VBR HD MPEG-2 Transcoding at up to 40,000kbs for Blu-ray projects


Minimum and Maximum Bit-rate Controls for DVD and Blu-ray Disc



LPCM audio includes superior-quality PCM on Blu-ray discs


Consumer Dolby Digital* Stereo Encoding at up to 640kbs for Blu-ray


Blu-ray Disc bit budget estimator 






Menu Editing


  
    Robust HD Menu Compositor tools
  
  

    Flexible Per-Menu Authoring for DVD and Blu-ray
  
  
    Create 1080p, 1080i or 720p still or motion menus for Blu-ray projects
  
  
    Professionally designed drag-and-drop 1920x1080 HD Menu Templates

  
  
    Import HD sized Photoshop menus
  
  
    Set stream button functionality for DVD and Blu-ray discs
  




Professional Timeline


  
    Import 1080p, 1080i and 720p video at any Blu-ray legal resolution and frame rate
  
  
    Custom GOP creation for frame accurate chapters on DVDs and Blu-ray Discs 

  
  
    3:2 progressive scan pulldown support 
  
  
    Add up to 8 audio tracks to your DVD and Blu-ray discs
  
  

    Add up to 32 subtitle tracks to your DVD and Blu-ray discs 
  
  
    Flexible chapter editing
  
  
    Audio track offset 

  
  
    Subtitle track offset
  



Slideshow


    Create 1080p, 1080i and 720p HD slideshows at any Blu-ray legal frame rate  

  
  
    Add up to 999 images to each DVD or Blu-ray Disc slideshow 
  
  
    Create multi-song soundtracks
  
  

    Choose from 65 slide transitions
  



Playlist


  
    Create playlists from movies for DVD and Blu-ray

  
  
    Create playlists from slideshows for DVD and Blu-ray
  
  
    Set start chapter for playlist items (movies) for DVD and Blu-ray 
  
  

    Set start picture for playlist items (slideshows) for DVD and Blu-ray
  
  
    Set Streams for Playlist Items for DVD and Blu-ray  
  




Navigation Controls



  
    Easily manage end-actions and alternate end actions for DVD and Blu-ray
  
  
    Set audio, subtitle and highlights from buttons or end actions for DVD and Blu-ray
  
  

    Control remote buttons for DVD and Blu-ray
  



Simulation Tools


  
    Simulate all facets of DVD and Blu-ray projects in full screen

  
  
    Simulate from First Play or Current position in project
  
  
    Simulate in 4:3 letterbox or 16:9 widescreen
  
  
    Jump to end action 

  




File Support


  
    Video: AVI, DV-AVI, DiVX-AVI, DVR-MS, MPEG-1, MPEG-2, MPEG-4, MOV, WMV 

  
  
    Audio: MP3, AIFF, MPEG-1 Layer 2, WAV, WMA 
  
  
    Dolby Digital (AC-3): Stereo Dolby Digital (AC-3), Multichannel Dolby Digital (AC-3) Passthrough 
  
  

    Images: BMP, GIF, JPEG, PNG, PSD (flat), PSD (two-layer), TGA, TIFF 
  




Output Tools


  

    Volume, Disc and Image creation for DVD and Blu-ray Disc
  
  
    Write to DLT for DVD replication
  
  
    Write to CMF for Blu-ray Disc replication   
  
  

    Add CSS and Macrovision content protection to DVDs 
  
  
    Add AACS content protection to Blu-ray Discs 
  
  
    Region coding
  
  

    DVD-ROM/Hybrid disc creation
  





System Requirements

Software:

Microsoft Windows XP (Home, Professional or Media Center Edition)

Microsoft Direct X 9.0c
Microsoft Windows Media Player 10 or later
QuickTime 6.5.1 or later recommended


Hardware:

800 MHz Pentium® III (Pentium 4 3GHz recommended for Blu-ray Disc projects) )
Monitor supporting 16-bit color at 1024 x 768 minimum screen area (32-bit color and larger screen area recommended)

128 MB RAM (512 MB required for Blu-ray Disc projects)
Color video display adapter with at least 16MB VRAM (64MB recommended)
Monitor supporting 16-bit color at 1024 x 768 minimum screen area (32-bit color and larger screen area recommended)
10 GB of available hard drive space (75 GB recommended for Blu-ray Disc projects)
Windows-compatible sound card
Windows-compatible DVD-R(W), DVD+R(W) or BD-R(RE) drive
DVD-R(W), DVD+R(W), DVD-RAM or BD-R(RE) recordable media


Use Windows Update to ensure you have the latest Service Packs and fixes for your operating system, and to get the latest versions of Windows Media Player, DirectX, and Internet Explorer.

An Internet connection is required for one-time product activation, registration, and product updates. Product activation is fast, free and anonymous. Any Internet charges are the user's responsibility.




 
Back to the top
 
 
 
 
    





Roxio Authorized Affiliate - DVDit Pro HD product offer








 


  
    
      
      DVDit® Pro HD

          DVDit® Pro HD is a professional, studio-caliber DVD and Blu-ray Disc authoring tool for videographers, independent filmakers, corporate users and video enthusiasts.
        
            Author once and output to Blu-ray and DVD 
          Deliver 1080p. 1080i or 720p movies on Blu-ray Discs
          Design interactive menus at full HD resolution
          Drag and Drop HD Slideshows

          Up to 8 uncompressed audio & 32 subtitle tracks 
          Professional mastering features for DVD and Blu-ray 
        
        Overview | Features | Watch the Flash Demo | System Requirements 

        DVDit® Pro HD
          List Price: $599.99
          Your Price: $499.99
        Buy Download
    

  
  
Overview
 



HD Menu Creation
Create HD menus in Photoshop, build your menus from scratch with the built in HD Menu Compositor or modify pre-built, professionally designed HD Menu Templates 





Flexible Hybrid User Interface
Professional, intuitive authoring interface lets you easily create a project with multiple audio and subtitle tracks and output both DVD and Blu-ray discs.





Unparalleled HDTV Support
Create 1080p, 1080i or 720p Blu-ray Discs for playback on today's HDTVs





Professional Mastering
Write your project to DLT or CMF and add CSS and AACS content protection for replication.



Back to the top


Features
 


General



Fast Learning Curve - create DVD or Blu-ray discs in minutes!


Hybrid Application - create SD DVDs and HD Blu-ray discs from the same project



Create mixed aspect ratio, resolution (SD and HD) and frame rate Blu-ray Discs


VBR HD MPEG-2 Transcoding at up to 40,000kbs for Blu-ray projects


Minimum and Maximum Bit-rate Controls for DVD and Blu-ray Disc



LPCM audio includes superior-quality PCM on Blu-ray discs


Consumer Dolby Digital* Stereo Encoding at up to 640kbs for Blu-ray


Blu-ray Disc bit budget estimator 






Menu Editing


  
    Robust HD Menu Compositor tools
  
  

    Flexible Per-Menu Authoring for DVD and Blu-ray
  
  
    Create 1080p, 1080i or 720p still or motion menus for Blu-ray projects
  
  
    Professionally designed drag-and-drop 1920x1080 HD Menu Templates

  
  
    Import HD sized Photoshop menus
  
  
    Set stream button functionality for DVD and Blu-ray discs
  




Professional Timeline


  
    Import 1080p, 1080i and 720p video at any Blu-ray legal resolution and frame rate
  
  
    Custom GOP creation for frame accurate chapters on DVDs and Blu-ray Discs 

  
  
    3:2 progressive scan pulldown support 
  
  
    Add up to 8 audio tracks to your DVD and Blu-ray discs
  
  

    Add up to 32 subtitle tracks to your DVD and Blu-ray discs 
  
  
    Flexible chapter editing
  
  
    Audio track offset 

  
  
    Subtitle track offset
  



Slideshow


    Create 1080p, 1080i and 720p HD slideshows at any Blu-ray legal frame rate  

  
  
    Add up to 999 images to each DVD or Blu-ray Disc slideshow 
  
  
    Create multi-song soundtracks
  
  

    Choose from 65 slide transitions
  



Playlist


  
    Create playlists from movies for DVD and Blu-ray

  
  
    Create playlists from slideshows for DVD and Blu-ray
  
  
    Set start chapter for playlist items (movies) for DVD and Blu-ray 
  
  

    Set start picture for playlist items (slideshows) for DVD and Blu-ray
  
  
    Set Streams for Playlist Items for DVD and Blu-ray  
  




Navigation Controls



  
    Easily manage end-actions and alternate end actions for DVD and Blu-ray
  
  
    Set audio, subtitle and highlights from buttons or end actions for DVD and Blu-ray
  
  

    Control remote buttons for DVD and Blu-ray
  



Simulation Tools


  
    Simulate all facets of DVD and Blu-ray projects in full screen

  
  
    Simulate from First Play or Current position in project
  
  
    Simulate in 4:3 letterbox or 16:9 widescreen
  
  
    Jump to end action 

  




File Support


  
    Video: AVI, DV-AVI, DiVX-AVI, DVR-MS, MPEG-1, MPEG-2, MPEG-4, MOV, WMV 

  
  
    Audio: MP3, AIFF, MPEG-1 Layer 2, WAV, WMA 
  
  
    Dolby Digital (AC-3): Stereo Dolby Digital (AC-3), Multichannel Dolby Digital (AC-3) Passthrough 
  
  

    Images: BMP, GIF, JPEG, PNG, PSD (flat), PSD (two-layer), TGA, TIFF 
  




Output Tools


  

    Volume, Disc and Image creation for DVD and Blu-ray Disc
  
  
    Write to DLT for DVD replication
  
  
    Write to CMF for Blu-ray Disc replication   
  
  

    Add CSS and Macrovision content protection to DVDs 
  
  
    Add AACS content protection to Blu-ray Discs 
  
  
    Region coding
  
  

    DVD-ROM/Hybrid disc creation
  





System Requirements

Software:

Microsoft Windows XP (Home, Professional or Media Center Edition)

Microsoft Direct X 9.0c
Microsoft Windows Media Player 10 or later
QuickTime 6.5.1 or later recommended


Hardware:

800 MHz Pentium® III (Pentium 4 3GHz recommended for Blu-ray Disc projects) )
Monitor supporting 16-bit color at 1024 x 768 minimum screen area (32-bit color and larger screen area recommended)

128 MB RAM (512 MB required for Blu-ray Disc projects)
Color video display adapter with at least 16MB VRAM (64MB recommended)
Monitor supporting 16-bit color at 1024 x 768 minimum screen area (32-bit color and larger screen area recommended)
10 GB of available hard drive space (75 GB recommended for Blu-ray Disc projects)
Windows-compatible sound card
Windows-compatible DVD-R(W), DVD+R(W) or BD-R(RE) drive
DVD-R(W), DVD+R(W), DVD-RAM or BD-R(RE) recordable media


Use Windows Update to ensure you have the latest Service Packs and fixes for your operating system, and to get the latest versions of Windows Media Player, DirectX, and Internet Explorer.

An Internet connection is required for one-time product activation, registration, and product updates. Product activation is fast, free and anonymous. Any Internet charges are the user's responsibility.




 
Back to the top
 
 
 
 




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    With Roxio Copy & Convert 3 you choose exactly how you want to enjoy your movies and music.
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    Toshiba SD4200 Progressive Scan DVD Player

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    Catch up on those movies youve been meaning to watch, even while youre away from home.


    Toshiba SDP93S Portable DVD PlayerCatch up on those movies youve been meaning to watch, even while youre away from home.
    Coupon Code: Toshiba SDP93S Portable DVD PlayerCatch up on those movies youve been meaning to watch, even while youre away from home.
    Toshiba SDP93S Portable DVD PlayerCatch up on those movies youve been meaning to watch, even while youre away from home. N/A Bookmark and Share
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